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Using Grays to Color Black Areas

Have you ever tried to color something you wanted to look black, so you color it with black and it just looks bland and bad? You’re not alone. Lots of people have this problem and hopefully I can help your black areas look better after this post.

Why does it look so bad?
Your black lines disappear and your area looks totally flat if you color with black. Black is a monster that sucks in all color, especially color around it. If you have large areas of black it can be very overpowering.

So how can we make something look black without coloring it black?
This is why Copic makes so many grays. There are 44 shades of gray, which seems like a lot when you only use a few of the lightest grays every now and then for light shadows. The darker grays are what you would use to get black.

Note: In this post I am about 1 or 2 shades lighter than you will want to work, mostly because I needed to make sure my scanner would pick up the subtle differences between blacks. You may like these blacks as they are, or you may want to go a couple shades darker. That’s a matter of personal preference.

Copic tutorial: Using grays to color black areasLook at this shirt. The black shirt is just a black shape. It has no life. Next, we have a t-shirt colored with two shades of toner gray, T6 and T8. The shirt still looks black but now we can see the black lines around the shape.

Now look at the last shirt. This shirt has been through the wash too many times and looks faded. This was an easy effect by going over the shirt with the lightest gray of the same family T0. I could have used the blender but it would have been too much and too harsh.

Usually you can get a good “black” by using the 6 or 7 in each gray family as the base color and shadowing with the 8 or 9 from the same family. Sometimes you may need to use the 10 in that color family, but rarely do I reach for a black.

So why are there so many grays?
Each gray has a slightly different feel. If you look at this sequence you can see that the W’s are warm, almost brown, the T’s are a little less brown, the N’s are truly neutral, and the C’s are sort of blue.

I’d use the Warm grays for warm feeling natural things, trees, dirt, etc. I’d use the Toner grays if I didn’t want the grays to be quite so brown but not cool or neutral. The Neutral grays are really that- neutral. If you look the Neutral circle looks more black than the others when you see them in this sequence. The Cool grays are more for metal and cold things.

The shirt above is a fabric that I wanted to be sort of neutral, so I used the Toner Grays, since the warm grays were too brown. I could have used Neutral gray, but I didn’t feel like it at the time. I drew the circles with lines through the light area so you can get an idea of how the black lines compare to the blacks of the shape. (Note: the T4 you see in this picture is one of the first two markers I was given over 8 years ago- it still has the original brush tip).

What about the black markers?
First, never use the black 100 or 110 for drawing a shape you’re going to color in with other colors of Copic markers. These markers are meant to blend, so the lines will just get blurry and look bad. Use these if you need deepest shadows in your artwork. If you want black lines draw them with a multiliner. The lines will be crisper and they won’t bleed with other marker colors.

What’s the difference between 100 and 110?
Have you ever worn a black shirt with black pants and it’s not the same shade of black, yet each piece of clothing by itself looks black? That’s the difference. You can’t really see it unless you’re on certain papers and the two are next to each other.

100 is equal to a C11, or a cool, deep blue black. This is what most people consider true black.
110 is equal to a T11, or a slightly warm black.

Copic tutorial: Coloring black shiny thingsColoring black shiny things
Black metal you can color in exactly the same way as other black things, but where a t-shirt is fabric and has a matte finish metal is shiny and will reflect light back. This is another case where you need to use opaque white. No way can I leave the white areas white when I’m working on such a small shape and with such dark colors.

However, a little dab of thick opaque white covers up the black nicely and makes our little ball look like dark, shiny metal (it’s cool gray so it’s supposed to look like metal or hematite, my favorite stone).

Your turn! Share your gray-as-black work with us on Facebook or Twitter!

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Color Spotlight: Y17

Welcome to our Color Spotlight feature! Every so often we’ll showcase a different color and give ideas of color combos that will work with it.

Marianne’s Note: When I mention a color combo whatever color I put first is the color I put down as my base color, then I blend in the second color. So Y17 + E25, the E255 was layered over the Y17. Also, these colors on the screen are NOT accurate and are for comparison only.

Copic Color Y17 Golden YellowY17, Golden Yellow
Story behind Y17: This was among the first colors Japan created over 20 years ago. This is a very bright Yellow, hovering on orange. Because the yellows are so bright, there is very little color difference in this blending family, especially as you get darker. Y17 has a touch more orange to it than Y18 or Y19 in my opinion. To get a good shadow for Y17 you would have to jump to another blending group within the Y’s (Y28 or Y38) or into another color family – YR or E.
Available in these styles: Copic, Sketch, Ciao, Wide
Natural Blend family:
Y11, Y13, Y15, Y17, Y18, Y19
Simple Blend:
Highlight Y15 Midtone Y17 Shadow Y19
Similar colors, other families:
B16, R17, V17, E17, BV17, G17, YR16
Marianne’s Unusual Combos:
Y17 + E25, Y17+ YG25, YG21 + Y17

Copic Y17 Advanced Color Rules

Advanced Color Rules for Y17*:

Complimentary: Y17/V09
Triad (simple 3 color combo): Y17, B05, RV29
Tetrad (simple 4 color combo): Y17, BG18, V09, YR09
Pentagram (simple 5 color combo):
Y17, G19, B79, RV29, YR09
High Contrast: Y17, YR16, B37, B06, R89, R29
Compound: Y17, E37, E59, V06, R39, V09

*Advanced color rules are generated by Adobe Illustrator CS3 based on the digital representation of the Copic Color Spectrum set into a special color wheel. I generate these as suggestions for color combos to try when you are looking for a nice change, or you have a paper that matches this particular color and you want help picking other unusual colors to go with it.

Copic Color Spotlight: Y17The project I made for Y17: Summer Sunflowers
I had been waiting to spotlight this color until my sunflowers were in bloom, because that is the flower that instantly comes to mind when I think of Golden Yellow. Here I’m showing the original photo I based my drawing from, and then my artistic interpretation of it with the color Y17.

The evening I took this photo the sun was just about to go down, and the next few photos got dark quickly, so I am showing my drawing with a darker sky than the photo. I also drew the outlines very loose, so my coloring style is loose as well. Notice how things close up have more vibrant colors, while things off in the distance have less contrast, less detail, and muted colors. I chose to make the foliage and blossoms brighter than real life. Looking at it now, I think it still needs deeper shadows for more contrast. Good thing I can always go back into my picture and blend more colors, even if it’s been sitting for a week.

Copic Color Spotlight: Y17 by Marianne Walker

Drawn with a Multiliner 0.05 on Color Laser Copier paper

Colors used:
Y11, Y13, Y17, YR16, YG00, YG41, YG67, G14, G17, G28, G85, BG10, B04, B24, E35, E57, E59, 0, W3, W5

Your turn! Share your Y17 work with us on Facebook or Twitter!

8/30/2011 5:37:35 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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Blog Post

Artist Interview with Ivan “3RDi” Vega

Ivan “3RDi” Vega is a Los Angeles, California based artist with a dark illustrative style. Read our interview to learn more about how Ivan incorporates Copic products into his work. If you’re in the LA area, be sure to check out Ivan’s work at The Hive gallery in October!

Tell us a bit about yourself!

Well, I’ve been drawing since I was about 5 years old. I would copy cartoons that I saw on TV . I always seemed to be drawing the weird characters or bad guys in the shows. When I got into middle school I was introduced to graffiti and was hooked. I didn’t just like writing on walls though, I loved the characters you would see and the crazy colors and letters. I kept trying to improve my style through out high school and even after. I finally realized that art is what I wanted to with my life so I went to the Art Institute of LA. I didn’t finish because the school headed in a way that I didn’t like, but what I did learn really helped me grow as an artist.

What are your biggest sources of inspiration?

Graffiti, music, monsters/ aliens, nature and lots and lots of cartoons.

How do you describe your work?

I like to create a world for my characters, even if the background is simple. I usually put them in a very isolated environment with islands and a dark space-like atmosphere. My characters can be weird, and sometimes gory. Sometimes I like to give them a storybook-like feel to them.

How do you incorporate Copic products into your work?

The backbone to all my pieces have to be the 12 C set of Copic Wide markers, as well as the blending marker. These are what help me get the shading and rendered look to my work. The fact that I can refill these markers is great since I use them A LOT.

What are you working on right now?

Right now I’ve been working on designs for people. Usually t-shirts, or band cover/ logo designs. I am working on new pieces for a featured artist spot coming up in October at The Hive gallery in Los Angeles. Also, a friend of mine is having a show in Dec. at the GCS Gallery in Santa Ana, CA, where I’m going to have about 6 new pieces. On top of this I try to work on my personal drawings when ever I get a chance.

Can you tell us a bit about your future goals? Where do you hope to go with your artwork?

I plan to continue to show my work in galleries and hopefully get marker drawings to be seen as more of a fine art. I also have been thinking of coming out with a comic or short story of my main character, the 3 eyed elephant. Another thing I’ve been working on is bringing out a line of t-shirts that are all my drawings/ designs. I already have some stores where I sell shirts with my elephant logo on it. Another thing is sculpting some of my characters and try to bring them to a 3d world. I want to do everything!

Any words of advice for new artists?

Draw, paint, sketch… whatever it is you love to do, just do it, and do it everyday. Keep trying to grow and look for new inspiration everywhere. To me it feels great when I see my improvement, or find a new technique in creating my drawings

View more of Ivan’s work:

8/24/2011 5:31:17 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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Blog Post

Color Spotlight: E33

Welcome to our new Color Spotlight feature! Every so often we’ll showcase a different color and give ideas of color combos that will work with it.

Marianne’s Note: When I mention a color combo whatever color I put first is the color I put down as my base color, then I blend in the second color. So E33 + G85, the G85 was layered over the E33.

Copic Color E33 SandE33, Sand
Story behind E33: This was among the first colors Japan created over 20 years ago. This is a good, multipurpose middle/light warm brown, and one of our best-selling browns (that’s not a skin color).
Available in these styles: Copic, Sketch, Ciao, Wide
Natural Blend family:
E30, E31, E33, E34, E35, E37, E39
Simple Blend:
Highlight E31 Midtone E33 Shadow E35
Similar colors, other families:
B34, BG32, RV32, Y32, R32, W3
Marianne’s Unusual Combos:
E33 + G85, E33+ V06, y23 + E33

Copic E33 Advanced Color Rules

Advanced Color Rules for E33*:

Complimentary: E33/B02
Triad (simple 3 color combo): E33, G24, V15
Tetrad (simple 4 color combo): E33, YG03, B02, FRV1
Pentagram (simple 5 color combo):
E33, FY1, G03, V17, RV17
High Contrast: E33, E39, E77, G29, BG18
Compound: E33, E29, BV04, FV2, B79

*Advanced color rules are generated by Adobe Illustrator CS3 based on the digital representation of the Copic Color Spectrum set into a special color wheel. I generate these as suggestions for color combos to try when you are looking for a nice change, or you have a paper that matches this particular color and you want help picking other unusual colors to go with it.

The project I made for E33: Low Tide on the Oregon Coast

Here’s a pic I drew to feature E33. I have always loved the coast, and it’s hard for me to forget my Marine Biology teacher when I think of sand, so we get a vibrant low-tide drawing today. To show you how you can incorporate the swatches for E33, I tried to use mostly colors or color families found in the above rules, plus a couple extra that it’s hard to live without, like the colorless blender and B000. These colors make the picture a bit brighter than a real beach scene, but that’s OK. BTW, I compared the color E33 to sand from my son’s sandbox. A more accurate sand color would be E43 with a little W3 layered over it to tone it down.

Water: B000, B02, BG10, BG13, BG18
Sand: E31, E33, E35, E37, C7 Sky: BG10
Rocks: E31, C3, C5 Mountains: E31, C3, BG18
Sea Stars & Urchins: RV17, V15, V17, YR61, YR65, E33
Seaweed: G24, G29 Mussels: C3, C5, C7
Anemones: YG03, YR61, V15
I used the colorless blender on almost everything.

Your turn! Share your E33 work with us on Facebook or Twitter!

8/17/2011 7:54:43 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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Blending & Special Effects

To do this tutorial, you will need a blank image photocopied onto good paper, and 4 Sketch or Ciao markers: YG03 Yellow Green, Y15 Cadmium Yellow, YR04 Chrome Orange, 0 Colorless Blender

Click Here to download the black & white Copic line art for this tutorial.

Try these two simple exercises to understand how to get the most vibrant coloration and blending with Copic markers:

Copic blending techniquesColoring Smooth Areas
Start at one edge and color in small circles, using the side of the brush. This will evenly soak your paper surface and create clean, smooth, vibrant colors.

Try not to stop coloring until you have colored the whole area, or else the colored edges may dry and you’ll get darker streaks.

Copic blending techniquesBlending Similar Colors
When blending two colors that are in a similar family, start with the lighter color.

1. Start with Y15, evenly soaking the paper. Feather in the YR04.

2. Where the two colors meet, go back with Y15 and wash the two shades together until streaks disappear.

Copic blending techniquesBlending Colors in Different Families
The easiest way to blend colors that are in different families is to feather the two colors together. This is easiest to try with lighter colors.

1. Begin by feathering Y15 into the area where the second color will be, leaving plenty of white space for the second color. Be sure to lift up at the end of each stroke, leaving a natural fade to your work.

2. From the other direction, feather in the YG03. Once again, remember to lift up at the end of each stroke, until the two colors blend into each other. Repeat if necessary.

Pushing Away Darker Colors

On absorbant paper, Copic Copic blending techniquesinks can push each other out of the way, even after the area is dry. Here is an example of the final word, with the edge colors added last. To try this look, use the YG03 over the top of the YR04. It will take multiple layers of color in the same spot for it to push the darker color out of the
way. You can make small dots by touching the brush tip straight
down onto the paper. This will not damage the nib, even if you press hard.

Copic blending techniquesCopic Colorless Blender
The Colorless blender pen is the base solvent of Copic inks. It can be used to make patterns, textures, or to fix mistakes on absorbent papers. The blender was used on this sample to fade the green to white on the C. On the O, the chisel end of the blender pen was touched to a dry, colored area to make brick patterns. The brush tip was touched to the P to create small dots. If you get a chance, experiment on your own to see what can be done with the colorless blender.

Share Your Work and WIN!
Download the blank Copic graffiti logo and try your hand at coloring it in with the blending techniques you’ve learned here! Use any colors you’d like. Share your creation on our Facebook wall for a chance to win a marker from your Copic Color wish list. Be sure to leave your Copic Color user name with your work!

Don’t have a Copic Color account? Get started today! Copic Color is the place to track your marker collection online, access it from your mobile phone, share your artwork, and connect with other artists.

To be eligible to win, you must reside in the U.S. or Canada. You must have a Copic Color account at the time of entry, with at least one marker in your wish list.

8/16/2011 5:10:55 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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Artist Interview with Dallas Clayton

Dallas Clayton is the author and illustrator of An Awesome Book, a children’s book about dreaming big. His latest project, “One Hundred Ways To Say I Love You,” features 100 pieces of original artwork for kids.

To learn more about An Awesome Book and the Awesome World Foundation, which donates one book to charity for each book sold, visit

Dallas Clayton - An Awesome Book

What prompted you to create An Awesome Book?

I wanted to write a book for my son about the idea of dreaming big. It’s a bit of a play on words but it seemed to me that so many of the people I interacted with every day would go to sleep and have these amazing imaginative dreams but then they would wake up to this totally mundane life where nothing they could dream or nothing they could wonder would ever be possible. Basically the book is about keeping the dreams that you have when you are awake- your goals and your hopes- just as big and just as magical as the dreams you have when you are asleep.

Dallas Clayton - An Awesome BookHave you always been an artist?

That’s such a loose term that I would have to say yes. I’ve always gravitated toward artistic things but before An Awesome Book I’d never really done much drawing, I’d never gone to school for art, or drawn a book before or anything like that. It’s a relatively new skill set for me.

Tell us about the first week your book went on sale.

I had just made a run of the book on my own because no one wanted to publish it and sort of as an afterthought I put it up on my website/blog just in case anyone wanted to buy any and by the end of that week they were all sold out. It was nuts. People were buying them all over the world, orders were coming so quickly I didn’t know what to do. It totally blindsided me in the best possible way.

Dallas Clayton - An Awesome BookWhat has been your favorite part of this experience?

Just being able to share my ideas with people. I mean it’s such a simple thought, being able to have a message and wanting to share it but for so many people as you get older, or caught up in a routine, or set in your ways, you get further and further away from being around people you can open up to or talk to or tell a story to, it’s such a basic human need that I think we often overlook. For me, sharing is like my lifeblood, so to be lucky enough to be able to share the things that I think about with millions of people all over the world… it’s so rewarding and so beautiful.

You started Awesome World Foundation to give away one book for every book sold, which is an amazing undertaking. Do you have a favorite story about someone who received a free book?

Not to give you the most basic answer but they are all pretty amazing. For me it’s not so much about how many books I can spread across the globe it’s more about interacting with kids, putting books in their hands and talking to them about how important their dreams are. Just listening to those kids talk and seeing their faces is like magic. Priceless.

Any plans for another tour?

Always. I’m touring the east coast in sept. and then hopefully to Australia as winter draws near. Probably some west coast action in between.

Why did you choose Copic markers Dallas Clayton - An Awesome Bookfor your illustrations?

They move and feel like watercolors but with infinitely more control. My drawings are really small and detailed so the brush tips give me all sorts of different shapes that I couldn’t get otherwise. Also they layer really nicely, I’ve never found another marker that builds layers like Copic. So rad.

Any words of advice for new artists, or anyone looking to follow their dreams?

Make good things that make you happy and share them with people all the time every single day.

Dallas Clayton - An Awesome BookThanks Dallas! And congratulations on recently being signed with Harper Collins!

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Anime Expo Swag Bag Giveaway Winners Announced!

Congratulations to the winners of the Anime Expo Swag Bag Giveaway! Thank you to everyone who entered, we received a lot of valuable feedback on what you would like to see from Copic at future Anime Expos.

Below are excerpts from the winners’ comments:

Tiffany: “Coloring techniques, proper inking of the pen, proper use of an airbrush, and if possible, how to fix your image once scanned onto a computer, because scanners tend to change the coloring on people’s work.

Aisazia: “A class or workshop illustrating the uses on leather, wood, or plastic would be nice to show the versatility of the markers.”

Laura: “I would love to see a workshop with some focus on advanced techniques such as blending and airbrushing. I would also love to see a workshop that focuses on color and picking palettes. Copic rocks!!! :D

Amu: “Airbrushing would be an awesome topic to cover! Maybe show the best way to protect our work while airbrushing, how to hold it to get best results, etc. Maybe even show different effects you can get, and how to easily cover the smallest to biggest areas!”

Sara: “A few things I’d love to see: Using Copics with pencil crayon, paints, non-alcohol-based inks, and other common artists’ supplies’, and ‘Copic for absolute beginners’, this last one showing anyone who is absolutely new to refillable markers how to quickly and easily do things like changing out a nib or refilling ink”

Amy: “I also like the workshops, but maybe get people who do different techniques, like some use it for anime, others for landscapes, so get artists that use it for diff. reasons to do a workshop!”

Fyrestarx: “Let everyone draw something (either something relating to copic or the convention’s mascot). Have everyone submit their drawings and have a voting session to decide which “newbie” had the best artwork. The winner wins something copic/convention related!”

Thanks again to the following companies for donating products, and to everyone who entered!

8/3/2011 8:55:40 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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Opaque White Tutorial

Copic opaque whiteCopic makes a thick white paint, called Opaque White. This is great tool to add final touches to any work.

When working with markers, it is usually best to start light and go dark, mostly because it is easier to leave an area white than to try and fade it back out to white with a colorless blender.

Copic Opaque WhiteHowever, sometimes the white touches you want to leave are so small that it would be next to impossible to leave them white. Some people use a white colored pencil to add final highlights into their work, but a colored pencil is not always as opaque as you need it to be. This is where Copic Opaque white comes in.

Opaque White is a very thick, water based paint that works best when applied with a fine paintbrush or toothpick. Being waterbased, you can thin it if you need to, but I prefer it thick for best opacity.

Here is a drawing of a grove of redwood trees (for a complete tutorial, click here):

redwood trees

redwood trees
This is a very nice picture by itself, but because the image is so small, it is hard to leave any areas white. This is where the Opaque white comes in. By adding white back into my work it changes the feel of the image. Notice how the branches and trunk of the foreground tree seem to stand out more simply by adding the opaque white. The branch clusters are catching the sunlight more, and you can tell that the trunk is wrinkled and has depth. I thinned the paint in a few spots on the trunk to lighten some areas less than others. Now that I have added white, I can’t add marker, as the opaque white absorbs ink differently than paper and it will look strange.

Is the second tree example better than the first image? No, it is simply different. You may prefer it with the white or like it better before white was added.Vespa by Marianne Walker with Copic Opaque White

Here is another example of Opaque white. I drew this scooter, leaving some areas white, but still, I needed to add the final reflective highlights. Opaque white allowed me the precision and opacity to quickly and easily finish my piece. Since this picture involves a lot of reflective metal, the scooter definitely looked flat and lifeless without glints of light reflecting off the chrome and shiny paint.

Want to try for yourself? Click here for free line art of the redwood trees!

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Featured Artist Paigee Rohrick

Paigee Rohrick is a 16 year old artist from Vancouver BC.  She has created an interactive application called PaigeeDraw that teaches aspiring artists how to draw manga characters through step by step instruction and tutorials.  We met her in person this year at Sakura Con in Seattle, and we think you’ll find her story fascinating! Not to mention her artwork.

Copic is co-sponsoring the PaigeeDraw “Back to School” contest that goes from August 1st to September 15th, and Paige is the judge. Find out more about how to participate and win Copic products.
Or click here to try out one of Paigee’s online tutorials for free!

Tell us about when you started drawing, and how you became interested in Manga style art?

My mom tells me that I was drawing ever since I was old enough to hold a crayon! In grade 7 my friends and I started drawing cats. But then I was worried that I would become “the crazy cat lady” so I started to sketch people. In grade 9, someone told me I looked like an anime character named Misa, so I started looking at some of the manga and watching animeonline. I fell in love with it instantly and started collecting manga. Later, I decided I wanted to create my own characters.

That seems like a pretty natural progression. How and when did you come up with the idea for PaigeeDraw?

When I decided I wanted to learn to draw Manga, I was frustrated with the tools and books available. I felt that the books I found showed the finished product but didn’t explain the process of how to get there in enough detail. So I started collecting manga comics and taught myself. Later, my friends kept asking me to teach them, so I approached my dad to help me find a way to make it easy for anyone to learn how to draw.

So what makes PaigeeDraw different from other teaching tools on the market?

In PaigeeDraw, I break every character down into as many as 29 steps, and provide instructions and tips each step of the way. I also provide detailed tutorials on how to draw hands, eyes and faces. Also, PaigeeDraw teaches users how to hand draw, not rely on digital drawing tools or expensive software like Photoshop.

Do people need special supplies to get started, or can they use what they have at home?

All you need is a pencil and a piece of paper to get started. But manga looks best using special markers and marker pads, which are all available on When I was learning, my mom had to drive me all over town looking for art supplies, so we sell starter kits that make it easy for people to get started.

The kits you sell to go with the application come with Copic markers. How did you first come upon Copics, and why do you continue to use and recommend them?

I first came upon Copic Markers from DeviantArt. Many artists that I love are on DeviantArt, and most of them prefer to use Copic markers when they use markers. I have tried a number of other markers, and Copic are my favourite! They are very reliable and do not streak as much as other brands.

Which part of drawing a character gives you the most trouble and how do you overcome  that challenge?

Hands and feet still give me the most trouble. Like most artists though, I love drawing hands. I look at images from artists I look up to. I always reference them for difficult poses, and for practice.

Do you draw your characters based off of real life experiences and people, or are they random ideas from your imagination?

Imagination! Many of my characters are based off of my dreams. Reading manga comics and watching Japanese Anime inspires me. The characters from the application are based on individual poses or hair styles I like. Sometimes, they are based on fashions that I have seen.

I’ve heard that you have a name for your character in mind, before you draw him or her. At what point do you know what colors you want to use for a character?

I usually just play with the colors while creating the characters. When I created the PaigeeDraw application, I tried to use only a few colors, so that people could draw the character without having a huge Copic set.

We know you’re great at creating mango character, and are considering Fashion Design school in the future. Do you have any other interests or talents that we may not know as much about?

One of the other things I like to do is bake. I have a lot and am getting quite good at it. I’ve made Melon pan, cream puffs, cookies and cakes. I plan to tackle macaroons and chocolate mousse in the future!

My passion is still art. I have recently been practicing with my airbrush! I have not included backgrounds in my application yet, hopefully we will get there in the future.

The PaigeeDraw application can be found in the iTunes application store, where they are available for download for your iPad and iPhone. Don’t have these gadgets? Not to worry, Paige’s online tutorials have got you covered. Check out for more info!

8/1/2011 4:05:10 PM | Comments (0) | Send a Message (PeaMail) | Vote for this Blog Post

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